For our first programme release we present a new commission in collaboration with The Norwegian National Company of Contemporary Dance – Carte Blanche. We’ve brought together some of the most dynamic and visionary artists in Norway to merge experimental pop and contemporary dance, for Borealis 2020. The duo Smerz – Henriette Motzfeldt and Catharina Stoltenberg – have recieved high acclaim for their two albums Okey (2017) and Have Fun (2018), making addictive and experimental pop music that imagines the sound of the future. For the commission Øythey will be working together with Carte Blanche dancer Ole Martin Meland as choreographer. Together they find inspiration in horror, Russian hooligans, chamber music and muscles. Written for seven Carte Blanche dancers the music will be performed live by Smerz.
We’re kicking off a new season with our Borealis Listening Club on the 27th of August! We’ve got two new twists to this season’s club gatherings: Musician Vilde Tuv will be joining Borealis’ Artistic Director, Peter Meanwell, as our new listening host this season and we’re introducing themes for each gathering to give each one a different focus, and to make it easier for you to suggest music that we can listen to togheter. Have suggestions? Send them to email@example.com!
The first guest this season joining Vilde and Peter on our very comfortable sofa is Borealis Ung Komponist participant, composer and producer for the concert series Avgarde; Aslak Bjørge Hermstad! The theme this time is “Music for Voice”. Join us!
*About Borealis Listening Club Borealis Listening Club (BLC) is Borealis – en festival for eksperimentell musikk’s monthly get-together where we eat popcorn and listen to and talk about music. BLC is open for everyone, from the first time listener to the seasoned musiciologist, and it’s all about sharing time as adventurous listeners – to make space for listening and talking about music. The club takes place every last Tuesday of the month in the beautiful Hordaland Kunstsenter, Klosteret 17 – which also happens to be where our office is. The events are free. Welcome!
Sunday the 18th of August Borealis – a festival for experimental music brings Mexican vocalist Carmina Escobar up to Bergen’s main attraction, Fløyen, to add a little something extra to the traditional Norwegian Sunday hike. Carmina is an internationally renowned composer, performance artist and singer and visited Bergen earlier this year for Borealis 2019. She made a deep impression on the Borealis audience with her intimate and beautiful performance at that other iconic Bergen spot; Nordnes Sjøbad. This Sunday you’ll find her on Fløyen from 12pm onwards. This is not a traditional concert, but a series of sonic interventions that will take place in the area around the Fløibane Station and playground.
This coming Saturday Bergen Kunsthall starts their season with the yearly one-night-festival: Poekhali! Several of the city’s music organisations, including Borealis, are pitching in with programmes that will wake up any lazy summer body. We grabbed the opportunity to bring Mexican vocalist Carmina Escobar backto Bergen, and can’t wait to see her embody the Aztec goddess Coatlicue in her performance installation, Insatiable Monster on Saturday night! Free for all Borealis Listening Club members – names on list in the door.
We broke a record in the amount of people applying to our mentor programme Borealis Ung Komponist this year. We’re extremly happy to see the growing interest in this programme. A big thank you to everyone who applied!
The lucky four that get to take part in the third edition of the mentor programme have been selected and we can’t wait to see these strong voices develop over the course the autumn and winter!
Their mentors are Carmina Escobar (MX), Elaine Mitchener (UK), Therese B. Ulvo (NO) and Øyvind Torvund (NO).
The participants of Borealis Ung Komponist 19/20 are:
Aslak Bjørge Hermstad
Aslak is a composer and has his Bachelor in Composition from the Grieg Academy at the University of Bergen. His background is as a punk – and later classic – guitarist. He loves to explore and collect inspiration from different kinds of expressions and has a deep interest in the social and political sides of music.
Eva was born and raised in Germany and studied at the Conservatorium Van Amsterdam. She moved to Bergen 10 years ago. Eva’s work is genre-crossing and multidisciplinary as a vocalist, performer, composer and when she works with text. Her music is inspired by both contemporary, and electronic music, alternative pop and traditional music from all over the world.
Hilde Annine Hasselberg
Hilde is a classical soprano and a graduate of the Grieg Academy at the University of Bergen. She also added on to her classical training by studying live electronics at the Norwegian Academy of Music. This is also where she started composing. Hilde has collaborated with Transitteateret – Bergen, BIT20 Ensemble and Borealis and has a long track record as an active participant in the new music scene in Bergen, both as a singer, composer and as part of staged performances.
Steinar is a composer and has his education from the Norwegian Academy of Music. He often works with sonic relations, and his pieces develop somwhere in between timbre and tone. He often uses elements of improvisation in his pieces, either in the process or incorporated as part of the performance. Steinar’s has composed for both larger ensembles and smaller intimate spheres.
Borealis 2019 – so many new ideas, fresh musical experiences, alternative conversations, important encounters and fun moments. We spent 5 days wandering the city of Bergen filling our heads and hearts with stories that the mainstream do not tell. Here’s 5 days in under 6 minutes – we hope to see you in Bergen next year: 4–8 March 2020
We’re very happy to announce that Peter Meanwell has accepted to stay on for another 4-year term as artistic director of Borealis – a festival for experimental music in Bergen – and will lead the artistic work of the festival until 2024. Meanwell came into the organisation in 2014, the same year as Managing Director Tine Rude. Since then they have produced 5 successful festivals together. Rude’s position was made permanent in 2016, and the strong leader team will continue their work to strengthen Borealis’ postition both internationally and nationally.
“I’m delighted to keep working with Borealis as we develop the festival as a space for adventurous listeners and critical enquiry. It’s been a total joy to work with composers, artists and musicians from near and far as we commission work, instigate projects, and have open conversations together. To see that the audience has responded positively to a festival that is artistically rigorous and values gender equity and diverse voices in its programming is very exciting and I hope that in the next few years we can continue to make Borealis a space that everyone feels they can take part in. Working in Bergen, with the excellent Borealis team and our collaborators across the city, I’m looking forward to a future presenting more projects that push the boundaries of how we listen together.” Peter Meanwell – Artistic Director, Borealis
Borealis 2019 was an amazing celebration of sound and music, different ways of being, and collective listening. 5 days of sold out events and an audience who moved through a sea of ideas, emotions and sounds, creating connections, having conversations and exploring together.
The five days started with a one-off collaboration with the elnicho festival from Mexico City, featuring new music from Øyvind Torvund performed by the Norwegian BIT20 Ensemble and the Mexican ensemble Liminar, surprising use of the tongue as a musical instrument by Diego Espinosa Cruz Gonzalez, food from the local Bonanza Café Collective and films from Manuela De Laborde, who also presented a new work with Jenny Berger Myhre that took an intimate snapshot of the sounds and feelings of Mexico City – even for those who have never been there.
The festival days continued with engaging conversations and musical and artistic reflections – both full of humour, but at the same time serious – talking about the time and the bodies we live in, consent, erasure and much more. We listened to music, radio art and discussions; witnessed performance and dance; ate ice cream from Hallaisen, drank tea from Tedragen, and Borealis beer from Ekangersmuget; we participated in genre-defying, transformative, emotion-filled sessions with Borealis Artist in Residence Jenny Moore; had our prejudices challenged and inhaled new ideas from all over the world. Music was played and sonic experiments undertaken in 16 different venues across the city of Bergen, from the outdoor swimming pool to the local piano shop, from the multiplex cinema to the public library – all the while the snow, the sun, the rain and the wind were underscoring the ever-changing nature of what we were hearing.
Many thanks to everyone who came, to all the composers and artists, and to everyone who helped create Borealis 2019!
READ AND HEAR ABOUT BOREALIS 2019:
The whole festival on icareifyoulisten.com
The whole festival on National Sawdust Log.org
The whole festival on Kunstkritikk.no – in Danish
The whole festival on 5against4.com (in two parts) Sounding Bodies on ballade.no – in Norwegian ♥ LOVE and TIME TIME TIME on Seismograf.org – in Danish
Interviews and music from Borealis 2019 on NRK’s radio programme “Spillerom Søndag” – in Norwegian & English: 17th of March – interviews with Jessie Marino, Jenny Berger Myhre etc 24th of March – interviews with Jenny Moore, Peter Meanwell etc
We’re incredible happy to have Jenny Moore as our Artist in Residence in 2019! For this year’s festival she takes over the room Upstairs at Bergen Kunsthall each afternoon between 3pm and 5pm, inviting anyone who wants to join as she explores being-alone-while-being-together. Her Still Life Still Loud draws inspiration from tremble therapy, poet CAConrad and her own life and each day will end with communal singing! Anyone can join 1, 2,3 – or all sessions.
The time has come for you to mark the 6th–10th of March with a big X in your calendar! Borealis 2019 is right around the corner, so clean out your ears, freshen up your playlists and call the baby/dogsitter!
This year, artists and composers from Norway and around the world are asking questions through their work. Through sound and stories, films and installations they’re inviting us to step outside of ourselves and look at things through another perspective. Borealis 2019 presents concerts, exhibitions, films, workshops, radio and conversations. This year’s festival is full of conversations – conversations about TIME, conversations with plants, conversations across histories, conversations about LOVE…
The full programme for Borealis 2019 with its 25 events in 15 venues over 5 days is now online!
A performance in the central train station, music for military band, a sonic journey into the heart of the oil raffinery in Mongstad and winter swimming in the fjord at the iconic Nordnes Sjøbad are just some of the things happening at the festival this year! Further down you find a selections of events – for the full overview go to www.borealisfestival.no
The starting point for our collaboration with Bergen Kunsthall has been a joint admiration for filmmaker and artist Beatrice Gibson who will be the focus of an extensive presentation at Bergen Kunsthall in the spring of 2019. In addition to the exhibition we’re collaborating on the Norwegian premiere of Beatrice’s new film Deux Soeurs Qui Ne Sont Pas Soeurs during the Friday of the festival. The film is based on a manuscript by American author Gertrude Stein from 1929, with new music from Laurence Crane.
Friday at Borealis 2019 continues with an exploration of the embodiment of ideas through radical performance – Sounding Bodieswill bea night that teeters on the edge of visual art, music and dance. We’re excited to welcome Phoebe Collings-James and Last Yearz Interesting Negro’s new pieceSound as Weapon, Sounds 4 Survival, a glimpse of a new work by Norwegian musician and author Jenny Hval, and an unexpected combination of choir concert and club concept from the American artist Colin Self.
Saturday night brings us back to a collaboration with Bergen’s most experimental concert series Utmark. In 2019, the intensity increases with noise rap maverick B L A C K I E from Houston, Texas, idiosyncratic vocal duo Bad@Maths and multi-disciplinary artist Juliana Huxtable who comes straight from Brooklyn to play one of her notorious DJ sets. Read more!
But it’s not just late nights at Borealis, there’s a lot happening before the sun sets. In 2019, Jenny Moore will be our Artist in Residence! She takes over the Upstairs at Bergen Kunsthall each afternoon between 3pm and 5pm, inviting anyone who wants to join as she explores being-alone-while-being-together. Her Still Life Still Loud draws inspiration from tremble therapy and poet CAConrad and each day will end with communal singing! Anyone can join 1, 2 or all sessions.
Do you know someone who would like to do volunteer work? Or maybe you know somebody who knows someone? We need you all! Get up close and get firsthand experience with making a festival. The tasks are everything from ticketing, stage managing and audience liaising to being an artist contact, driver or hanging posters. We don’t stand a chance without you! Sign up today here!
This years participants in our mentor programme Borealis Ung Komponist survived the first intense workshop this fall and are ready for the second round this month. This time with mentor Juliana Hodkinson. We had a chat we each of them to get to know them a bit better, and to talk about the expectations and challenges of being part of a mentor programme.
Borealis: How are you and what are you up to these days?
Alexander Fiske Fosse: I’m great! I’m in a good place these days. Lately I’ve been trying to finish a piece for string quartet, el guitar duo, recorder, different feedback instruments and lots of other fun things that I don’t want to reveal quite yet. The piece will be re-composed by a friend and fellow student at the Grieg Academy. I don1t know what he’ll end up doing with it, so that’s kind of exciting. I guess you could ask, but what about BUK? Well, the two pieces, since they’re both written by me, closely interlinked. Working on the one piece is to advantage for the other piece. I’m also doing a lot of singing in my choir these days.
Stephan Meidell: Can’t complain. Just went through a very inspiring period with a commission we wrote with Erlend Apneseth trio + Frode Haltli. We performed it at Bergen Kjøtt in Bergen and Ultima Festival in Oslo and I got to use a new rig with a mechanically controlled zither. We also performed some new music with Tanzmacher for kids last weekend with machines playing drums. There’s a lot of electricity these days.
Rakel Nystabakk: Really good, thanks! I was just in Gothenburg playing a concert, so my focus has been on that lately. I’m back home now at the farm, so at the moment life is very much about gathering sheep and harvesting potatoes in addition to working on the pieces I’m writing.
Haral Jordal Johannessen: Hello, I’m good! I’m wearing lot’s of hats these days, running back and forth between projects, I’m working on the piece for Saxifraga Quartet, being a student and tinkering with with electronic objects at home, like for example a home made midi controller built from wood.
Borealis: You’re Young Composer’s now – how does it feel?
Alexander: It’s so great! Everyone I meet through the mentor programme are great people. It’s actually GREAT FUN! I recently managed to loose my self-confidence, but the fact that Borealis chose me to be in this project helped a lot. It’s really nice to have found it again, so thanks a lot for that!
Stephan: It’s very exciting and I can’t wait to do more workshops with the amazing composers! The last workshop with Maja S. K. Ratkje was great.
Rakel: It feels really good. It’s such an honor to be working with such great mentors and musicians and composers.
Harald: It feels like a privileged and it really happened at the right time for me. I’m done with my studies next summer and this is a great opportunity to expand my network in Norway outside of Oslo.
“Composing for others only is a big leap for me. It’s something I’ve wanted to do for a long time…”
Borealis: Alexander, you study composition at the Grieg Academy at the University of Bergen, so why did you want to be part of this mentor programme? Isn’t that a bit like buttering your bacon?
Alexander: Mainly there’re two reasons why I wanted to take part. The first being that it gives me new impulses both through the mentors and the other BUK composers, and the other reason is that I get to present a piece to the Borealis audience. As a Vestlending, and a new music lover, Borealis means a lot to me. And the audience at the festival is of the more open and listening kind. I can’t wait!
So, I guess it’s more like butter in the clam soup: the perfect combination.
Borealis: Stephan, at this year’s Borealis you presented your “Metrics” project live, with musicians placed in different rooms with the audience floating around. A lot of people have mentioned this as one of the highlights of Borealis 2018. Why did you as an established musician apply to this mentor programme?
Stephan Meidell: Wow, yeah, it was incredible and I’m very grateful to both the musicians and Borealis for making it happen. I guess that’s exactly it: I’m an established musician. So even though I make most of the music myself, or with others, I always perform it too. So composing for others only is a big leap for me. It’s something I’ve wanted to do for a long time and getting feedback and new points of view from the lovely people in the mentor programme, and four mentors that I respect a lot, is really an ideal way of stepping into the world of composition.
Borealis: Rakel, you just finished your studies in Music Performance at the University of Agder with the somewhat unusual main instrument; laptop – why did you apply for a mentor programme in composition in Bergen?
Rakel: I developed an interest in writing music really early and have written music parallel to all the other things I’ve been doing. The last couple of years I’ve been focusing mostly on performing but I have an urge to write more now. The mentor programme feels like the perfect frame for me right now. Also, I’ve never worked in Bergen before which I find both exciting and inspiring.
“The BUK meetings demand a lot of concentration, with lots of opinions and impressions to process and it’s actually really nice to leave Oslo to be able to concentrate properly about this job.”
Borealis: Harald, you study composition at the Norwegian Academy of Music (NMH) – do you have time to be part of a mentor programme in Bergen in addition to your studies?
Harald: A lot of our time as students at NMH is spent writing music, and the piece I’m doing for Borealis 2019 takes – like all pieces – time to write. I actually chose not to do a similar project arranged by the school so I could to this. The Borealis Ung Komponist meetings demand a lot of concentration, with lots of opinions and impressions to process and it’s actually really nice to leave Oslo to be able to concentrate properly about this job.
Borealis: What is most challenging about being part of Borealis Ung Komponist?
Alexander: So far it’s been waking up, so I can be at the mentor gatherings and participate… That’s been a bit of a challenge so far. I’ve managed so far though. What challenge lies a head, only time can tell.
Stephan: As I mentioned the role of being a composer it totally new to me – it’s a different process than what I’m used to. I can’t shape things in the course of the concert based on situations in the moment. Even though I open up for a bit of improvisation in the piece, I have to make a more set structure – at least if I want it to sound the way I want it to. It’s a challenge to be clear about my ideas, which I have to be since I’m writing music for musicians with completely different references than me and I have to dig deep to find which fundamental elements are important to me and my expression, which are things that I normally take for granted when I play myself. This can be things like timing, sound textures, dynamics and phrasing.
Rakel: Well, I guess it’s the typical things, like dealing with expectations and ambitions, and keeping calm so I can develop ideas without constantly thinking about the end result.
“The most challenging but also rewarding
is the way we work. We’re all sat around
the same table and all challenges and
break-throughs are out in the open”
Harald: The most challenging but also rewarding is the way we work. We’re all sat around the same table and all challenges and break-throughs are out in the open. You get to show who you are as a human being and a composer. For me it is a new and exciting thing to open up the creative and critical process to colleagues but it ‘s also obvious to me that together we are better versions of ourselves.
Borealis: What’s coming out of your speakers these days?
Alexander: I’m listening a lot to Jean Sibelius, Salvatore Sciarrino, Sergei Prokoviev… I really want to listen more to Catherine Lamb, but haven’t gotten to it. She has one of her pieces performed at Borealis 2018. I miss that piece, and think a lot about it actually. Recently I went to a gig at Bergen Kjøtt i Bergen where I heard Erlend Apneseth trio + Frode Haltli. That was really good. I’ve listening to the both of them quite a lot. Other than that I’ve also been listening to Maja S. K. Ratkje’s music lately. Really, really great what she does. And then there’s Johannes Ockeghem and then Sean Shibe’s album SoftLOUD.
Stephan: I’ve been listening quite a lot to Kraftwerk lately and Hans Abrahamsen’s Schnee – recommended to me by composer Ørjan Matre. John Maus’ Screen Memories is fun. And then I always come back to Fever Ray – either the solo album or the one with Knife or Røyksopp.
Other than that there’re a lot of Norwegian and German children songs on repeat on our worn out cassette player. This makes for quite a cool and sea sick flanger effect so our 2-year-old is exposed to a slightly experimental version of Postman Pat.
Rakel: Lately I’ve been listening a lot to Bartók. Music for Strings, Percussion and Celesta is a favorite.
Harald: Lately I’ve been putting on MGMT’s latest release. They’ve been making ruthlessly good psychedelic pop for ten years and have really found their core now.
Borealis Listening Club (BLC) is our monthly get-together where we eat popcorn, drink beer and listen to and discuss new music.
With us in the sofa this time was the new appointed Associate Professor in composition at the Grieg Academy Dániel Péter Biró and artist Freja Bäckman – in Bergen to exhibit “I was told I chop wood like a ballet dancer” at HKS 21–30 September.
The Borealis team is a flexible unit that grows bigger as we get closer to March, and shrinks considerably after the festival. Parts of the team though is here all year round and are the inner core of Borealis: Managing Director Tine Rude, Artistic Director Peter Meanwell, Head of Production Mia Julie Wiland, Festival Assistant Gabriela Passos and Head of Communication Irem Müftüoglu.
Don’t hesitate to get in touch, or pop by for a coffee and a chat at our office in Hordaland Kunstsenter.
We can’t wait to talk about important issues at Vill Vill Vest but a good conversation can easily be combined with a great night on the dance floor.
Borealis recommends anyone in Bergen to stop by Victoria Café and Pub when Bergen based feminist DJ collective Konsept X takes over the turntables, Friday the 14th of September.
It’s also time for Ultima in Oslo where we recommend Ensemble Ernst‘s concert, Monday the 17th of September. The concert will feature the world premiere of Bente Leiknes Thorsen‘s piece A Feminist Guide to the Sinfonietta.
We are pleased to present four new composers who will work on creating new pieces for Saxifraga Quartet, to be performed at Borealis 2019.
Many young composers applied for Round Two of our mentor programme, and we are thrilled to announce that we will be working with Rakel Karoline Sætrevik Nystabakk, Alexander Fiske Fosse, Stephan Meidell and Harald Jordal Johannessen for the next year. These four composers are all in the early stages of their career with lots they want to explore and Borealis believes these are composers we’ll be seeing much more of in the future. We have put together a group we think will challenge each other and the musicians in Saxifraga Quartet, and with the guidance and inspiration of the mentors will make a great concert experience at Borealis 2019!
The mentors in this round of Borealis Ung Komponist are known to challenge the traditional concert format and the musicians they work with, and are all composers the festival appreciates a lot. Juliana Hodkinson (GB), Jessie Marino (US), Maja S.K. Ratkje (NO) and Øyvind Torvund (NO) have all been, or will be presented at Borealis.
For this round the young composers will be working with the newly established saxophone ensemble Saxifraga Quartet, consisting of four ambitious musicians who are actively pushing boundaries for new music.
Borealis Ung Komponist 2018/2019 is supported by Morten Eide Pedersens Minnefond, Arts Council Norway, City of Bergen and Hordaland County Council
Meet our new Head of Production! Mia Julie will soon join the Borealis team to make another great festival – and to make dreams come true! She’s been working as a producer for our long-term collaborator BIT20 Ensemble and we’re glad to have found an experienced and smiling new colleague, and we look forward to having her in the office from the 1st September.
Borealis is a festival for experimental music that lasts for 5 days each March in Bergen, Norway. We are a small team that grows bigger as the festival approaches and we are now looking for interns who want to gain experience in all aspects of putting on a festival. We’re looking for interns to work closely with the persons in charge of communication, production and organising volunteers.
We are seeking people who are interested in new and experimental music in all its forms, and have a passion for communicating this music to a wider audience. We want people who will take good care of both our artists and our audience. There´s always lots to do at a festival, and you´ll get experience working on things like: press, communications and social media; working on a production from the first idea, through its development to its performance (and the de-rig!); and you will meet artists, volunteers, musicians and composers, and work with logistics and planning. The most important thing is that you want to be part of a team that shapes a fantastic festival in March 2019. Planned startup October/November.
We are looking for an intern that can assist our head of communication in the making of the program book and how we present the festival to press and audiences. You must be organised and able to work in both Norwegian and English. Picture editing and simple design skills is appreciated.
We are looking for an intern who will get a deep insight in the technical and practical part of festival production. You will work closely with our producer and also on smaller projects on your own. Good technical understanding, data skills and practical common sense is required, and you need to be organised and like a challenge.
We are looking for a positive, engaged, organised person to work closely with our volunteer coordinator. Borealis needs 80 volunteers, and you will help with recruiting, logistics and the planning of parties and fun group activities.
As an intern you commit to 15 hours a week. You will be working alongside our core team, but you will also be asked to run and develop projects on your own, and you’ll gain valuable experience in all aspects of making a festival and cultural work in general. We offer a small stipend to each intern, but can’t contribute to accommodation or travel costs.
For questions contact Managing Director Tine Rude, firstname.lastname@example.org
To apply send an application outlining your skills & CV, which internship you apply for, and also comment on your musical interests and why you want to be part of the Borealis team.
Borealis is looking for a new producer who can plan and realise our fantastic festival in March each year. We’re looking for a person who is efficient, creative, can take responsibility and is eager to be part of an energetic festival team.
The brief is a varied one, so we’ll need someone who is independent, has an eye for detail, works well with others and takes initiative to realise a huge variety of creative projects. The right person will have an interest in and understanding of the music and the art we present and have experience with production, preferably in alternative arenas or art forms. Technical knowledge and experience in the areas of sound and light is an advantage. You must have good written and oral presentation skills in Norwegian and English.
For a full job description see the Norwegian page here
Application deadline: Friday 22nd June, 12pm
Send you application letter with CV to email@example.com
For more information, contact Managing Director Tine Rude on the email above, or phone +47 95 90 53 76
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Also the enigmatic cellist Okkyung Lee (who played Borealis 2017) has a crop of new records coming out this year, the first was recorded in the morbidly erotic Vigeland Mausoleum in Oslo – listen here!
We think that the audiences are as important as the people performing, and so we’d like to know a little more about the kind of people who come to the festival, and the experience they have.
Please be honest with your feedback!
We want to make the festival a place where the art is as exciting as possible, and the audience feels welcome and part of a shared community of adventurous listeners. Your feedback will help us with this.
“The piece is a story of rebirth. There’s an element where the cranes are discovering their own naked beauty.”
Watch more of what Natacha Diels has to say about her piece “Papillon and the Dancing Cranes” premiering at March 11th, 7PM under #Borealis2018
Volunteers are an important part of the festival. It’s hard work, but mostly lots of fun! We turned the spotlight on them and asked some of our past volunteers about their experience working for Borealis. Here’s what they said. Watch here!
What better way to celebrate the arrival of our programme books, than by getting our first taste of the Borealis beer amongst our friends, collaborators and awesome volunteers? We had an amazing time during our Programme Launch party at Landmark Bergen! Do you want to re-live the evening, or did you miss out? Fear not, our photographers captured it all:
In less than three weeks Borealis will take over all of Bergen and fill the city with experimental sounds, talks, films, fun and great people!
Experimental artists from across the world will be bringing their work to Borealis very soon! Artists start coming to Bergen already next week, preparing dancing cranes, live meditation, opera with a twist, late night listening sessions, enchanting electronic dance music, delicious ice cream, rowanberry beer, and talks on film, radio, equality and radical hospitality. All set in the wonderful, and windy Bergen! We bring you artists that break boundaries, try new things, artists that aren’t afraid of failing, and that allow us as an audience to see the world in a different way.
Read more in this year’s programme book – and see you all very soon!
Welcome to five days of world premieres, exclusive performances and conversations across the city of Bergen, Norway for Borealis 2018!
From the opening notes of the festival, when we occupy the new building of the University of Bergen Faculty of Fine Art, Music and Design, to the closing movements of the construction cranes in Festplassen the festival is a journey through different approaches to sound, performance, and listening.
From Peter Ablinger’s new exploration of maximum density sound with Stian Westerhus and BIT20 Ensemble, to queer black underground pop star MHYSA’s electronic fantasies; from artist Sue Tompkin’s elastic vocal gallery performances to asamisimasa and Joanna Bailie’s interpretation of classic cartoons, the festival once again opens its doors to diverse, exploratory sound worlds.
With the premiere of three new Nordic operas and a major new international commission from composer Natacha Diels for construction cranes and large ensemble, premieres from Johannes Kreidler, Catherine Lamb, Daniel Moreira and Laurence Crane, to new works across the festival from 13 exciting Norwegian composers, Borealis 2018 explores the many faces of today’s composed music.
Throwing away the idea of genre, Bergen experimentalist Stephan Meidell presents a new live version of his celebrated Metrics project, Raven Chacon, Jenny Berger Myhre, G. E. K. and NaEE RoBErts take over the Bergen Kunsthall, and DJ Haram and lawd knows fill the dancefloor.
Our Konsertsirkus! returns, presenting experimental music for young and old, we’ll be hosting conversations about Radical Hospitality, Music and Film, experimental Radio, and Gender Balance, and opening exhibitions by Mårten Spångberg, Sue Tompkins and Trond Lossius.
Borealis is also about creating a community – making concerts accessible to as many people as possible, ensuring we have an equal gender balance in our curation, putting an emphasis on discussion and making space for different points of view, and collaborating with creative people across the city, whether they’re school children, ice–cream makers or budding composers.
Borealis 2018 is a five days rollercoaster of sound and music across the whole city… we hope to see you there!
2018’s festival includes some of the most exciting voices in Norwegian new music. Ensembles asamisimasa, Pinquins, BIT20 Ensemble, BIT20 String Quartet, Duo Hellqvist/Amaral, avGardEns, Valen Trio and Rosella all feature. Over five days we’ll be showcasing works by 13 Norwegian composers: Kristine Tjøgersen, Danielle Dahl, Ingvild Langgård, Jan Martin Smørdal, Knut Vaage, Sigurd Fischer Olsen, Øyvind Skarbø, Alan Ó Raghallaigh, Rebecka Sofia Ahvenniemi, Øyvind Mæland, Lars Skoglund, Kristin Bolstad and Tine Grieg Viig. Stian Westerhus performs in a new composed work by Peter Ablinger, Stephan Meidell will be presenting a new live version of his acclaimed Metrics project, and Jenny Berger Myhre and Sandra Mujinga join a line-up of international experimentalists at Bergen Kunsthall
Borealis believes that equal gender balance in programming makes for better festivals. In 2017 the festival management committed to programming Borealis in a way that reflects the rich, diverse community of people making art and music; to present inspirational role models to all of our audience; and to actively work to address infrastructural gender bias within our creative community. In 2017 we were awarded the first Gender Equality Prize, from the Norwegian Society of Composers, in recognition of our work towards equality in the music world. Borealis 2018 has an equal gender ratio in its composers and artists.
OUTSIDE THE CONCERT HALL
Once again the festival attempts to step outside of the concert hall and present music in new spaces. Working closely with composers, artists and musicians we want to engage with the city we live in – its built environment and the people who live here. Borealis 2018 will be taking over the Snøhetta designed UiB Faculty of Art, Music and Design, one of the newest spaces on the cultural skyline for an evening of music. We will be bringing dancing construction cranes and a large ensemble to a free event in Festplassen the plaza at the centre of the city, our family event will take over the temporarily empty galleries of the KODE 2 art museum, and our Radical Hospitality project will explore the public spaces of the city.
THE NEXT GENERATION
Borealis is also committed to providing opportunities for the next generation of Norwegian artists. Borealis Ung Komponist is our new mentoring programme for emerging composers connected to the West of Norway. The programme gives four exciting composers the chance to work intensively with local string quartet Rosella, and be mentored across a year by a mentor team of Norwegian and international composers. Our Future Opera project in collaboration with Bergen National Opera hands the stage over to three exciting Norwegian composers who, alongside a group of mentors have been working with an ensemble cast of singers and musicians to explore the future of opera in three new commissions.
If you’re an aspiring composer in the Bergen region, you’re female, and over 16 years old, then get in touch with Rebecka Sofia Ahvenniemi who is starting a new mentoring scheme! Elsewhere, we recommend this interesting read from Borealis 2017 artist Yan Jun about the connections between the Japanese and Chinese music scenes and the latest edition of the online journal Reflections on Process in Sound, which includes Cathy Lane’s Manifesto For New Listening.
It’s always good when people meet and come up with new ideas during the festival, and John Chantler and Johannes Lunds did just that at Borealis 2016 when they both composed new works for BAS. Endless sky is their new cassette release for saxophone and electronics (also on digital for those who threw their walkman away!)
Borealis is very proud to have an equal gender balance in its programme and we’re really happy to see this great interview with anthropologist Georgina Born about how the conversation is developing around a more diverse and interesting new music community.
As it gets colder we’ll be warming our ears with the new vinyl release from Yeah You, who played the festival in 2016, and recorded this new record in the back of the car whilst driving across Holland.
Borealis is a festival for experimental music that lasts for 5 days each March in Bergen, Norway. We are a small team that grows bigger as the festival approaches and we are now looking for interns who want to gain experience in all aspects of organising and putting on a festival. We’re looking for 3 interns to work closely with the person in charge of communication, production and organising volunteers.
We are seeking people who are interested in new and experimental music in all its forms, and have a passion for communicating this music to a wider audience. We want people who will take good care of both our artists and our audience. There´s always lots to do at a festival, and you´ll get experience working on things like: press, communications and social media; working on a production from the first idea, through its development to its performance (and the derig!); and you will meet artists, volunteers, musicians and composers, and work with logistics and planning. The most important thing is that you want to be part of a team that shapes a fantastic festival in March 2018.
We are looking for an intern that can assist our head of communication in the making of the program book and how we present the festival to press and audience. You must be organised and able to work in both Norwegian and English. Picture editing and simple design skills is appreciated. Planned start-up October
We are looking for an intern who will get a deep insight in the technical and practical part of festival production. You will work closely with our producer and do smaller projects on your own. Good technical understanding, computer skills and practical sense is required, and you need to be structured and like a challenge. Planned start-up November/December
We are looking for a positive, engaged, organized person to work closely together with our volunteer coordinator. Borealis need 80 volunteers, and you will help put in recruiting, logistics and the planning of parties and fun activities. Planned start-up November/December
As an intern, you commit to 15 hours a week, although we can be flexible for the right people. You will be working alongside our core team, but you will also be asked to run and develop projects on your own, and you’ll gain valuable experience in all aspects of making a festival and cultural work in general. We offer a small stipend to each intern, but can’t contribute to accommodation or travel costs.
For questions contact Managing Director Tine Rude.
To apply send an application outlining your skills & CV, which internship you apply for, and also comment on your musical interests and why you want to be part of the Borealis team.
Send the application to firstname.lastname@example.org // 95 90 53 76.
Application deadline 15th September
It’s very exciting for us at the festival when projects that start out here in Bergen go on to exciting new things. It’s All True, an opera in suspension from Object Collection, which premiered at Borealis 2016 will soon be performed in London at Cafe Oto, and is also being released by the excellent SLIP discs. Relive the noisy, chaotic premiere, or hear it for the first time here.
If you want to get a head start on your listening for the 2018 festival, try this recent release of Augmented Study, by Peter Ablinger. He’s a composer that uses noise in his work but devoid of meaning, and questions space, time and place.
And if you ate too much souvlaki over the summer, and are still avoiding the gym, why not read this article from novelist Daniel Ross, about training our ears as well as our bodies, “You have to warm your ears so your brain can decide how best to weather the endurance” he says in his essay for TheQuietus.com
You’re packing for the beach – speedos, flip-flops, sun cream – but what are you going to listen to and read? Never fear. Borealis has some suggestions to elevate your ears whilst sipping that piña colada…
Håkon Stene & Kristine Tjøgersen‘s new album on Norwegian superlabel Hubro asleep, street, pipes, tones is the perfect way to lose yourself in listening, as they explore the works of American composer Michael Pisaro. Think stillness, depth and frozen sound worlds! Perfect for the cabin we think
If your beach time is troubled by thoughts of what the future of music might contain, then we recommend you quell your fears with Robert Barry‘s excellent new book The Music of the Future. It’s not a set of predictions, but rejoices in musical experiments and is a call to arms for everyone engaged in music: “to fail again, fail better.” Borealis even gets a mention!
Meet the composers taking part in Borealis Ung Komponist
After an application process Borealis has the pleasure to announce that we’ve invited Alan Ó Raghallaigh, Kristin Bolstad, Tine Grieg Viig and Øyvind Skarbø to take part in Borealis Ung Komponist – a mentor programme for composers in the early stage of their career and which we believe can shape future music experiences. The program will encourage broader discussion and dissemination of young composers’ work in Western Norway.
Towards Borealis in March 2018, composers Alan Ó Raghallaigh, Kristin Bolstad, Tine Grieg Viig and Øyvind Skarbø will work closely with four internationally renowned mentors and the string quartet Rosella about developing four new works. Norwegian Christian Wallumrød and Øyvind Torvund, American Natacha Diels and English Joanna Bailie are invited as mentors for these young composers to challenge them to think beyond the established musical norms. The mentor program consists of workshops, mentor meetings and discussions for staging of the concert.
When Finnish composer Kaija Saariaho’s opera L’Amour de Loin was staged at the Metropolitan Opera in New York last year, it was only the second opera by a woman to be presented in the company’s history. The first was in 1903. For the Bergen International Festival Peter Meanwell talks with one of Europe’s most prominent composers about a life in music, the role that gender has played in her career, and about the continuing imbalance between male and female composers on the concert stage. The talk will take place on May 29, 19.00-20.00 at Litteraturhuset – you can read more about the event here.
As well as Peter’s talk with composer Kaija Saariaho make sure you don’t miss the performance of her new commission for cello, alongside works by Per Nørgård, Benjamin Britten and J.S. Bach. Stalwarts of the London new music scene, the London Sinfonietta are in town as well, performing as part of the Norsk Komponist Forening’s 100th Anniversary, with works by Eivind Buene and Rolf Wallin, alongside Louis Andriessena and more Kaija Saariaho.
Phonophani – Animal Imagination
Jlin – Landmark – photo by Henrik Beck
In the office this month, we’re getting excited about the forthcoming albums by Bergen local Phonophani and Borealis favourite (and 2015 artist) Jlin.
As part of our annual collaboration with the Utmark concert series at the Bergen Kunsthall, Borealis is excited to add a night of new musical experiments to the festival line-up. Hitting the dancefloor hard, from Philadelphia, Baltimore and Lisbon – Moor Mother, Abdu Ali and DJ Marfox – are artists pushing at the edges of their scenes, receiving growing international acclaim for their often uncompromising art. Always trying to find the sounds that don’t fit easily into one genre or another, this night at Borealis will feature words and music that are as confrontational as they are danceable.
From Philadelphia, USA, interdisciplinary artist Camae Ayewa’s Moor Mother project blends protest and Afro-futurist time-travel in a whirlwind of experimental noise and poetry. Projecting both the cathartic anger of punk and the expansive improvisatory spirit of Sun Ra she uses a variety of machines, field recordings, and analog noisemakers to construct fractured, cacophonous waves for her punishing words to ride. Her latest album, Fetish Bones, released in September 2016, was No.3 in the The Wire magazine’s albums of the year.
Abdu Ali er rå, kompleks og visker ut alle tenkelige forskjeller. Han er en homofil rapper fra den amerikanske byen Baltimore, som legger kraftfulle tekster om rasisme og homofobi på den råeste dansemusikken og på mer eksperimentelle prouksjoner. Han har blitt sammenlignet med Death Grips og andre støyrap-grupper på grunn av sin utrolige energi på scenen, og har skapt sin helt egne sound med grobunn i egne erfaringer og historier, påvirket av punk, støymusikk, afrofuturisme og BMore klubbmusikk. I 2016 slapp han MONGO, som Fader magazine kalte “a pitch-perfect ‘black self-care mixtape’ from Baltimore’s most exciting rapper.”
In DJ Marfox aka Marlon Silva´s hands, Angolan roots meets Portugal today, and kuduro – the electronic music of Luanda – undergoes a twisted transformation as it lands and is reborn in Lisbon’s urban Afro-Portuguese dance scene. As a DJ, producer and now boss of record label Príncipe Discos, he believes claiming ones roots is a crucial impetus for creative, technological, and collective social evolution. His music has acquired iconic status in urban Portugal and diasporic African communities throughout Europe, and helped to create a grassroots network of young, creatives seeking to breach new territory in sound and culture.
Experience Borealis from the inside as a volunteer!
Do you want to volunteer at Borealis 2017? We are looking for people to work with tickets, technical, office, information, transport, catering and other fun tasks. Read more about the tasks here.
By volunteering at the festival you will get the chance to find out how a festival works from the inside, meet a lot of new interesting people and of course plenty of valuable experience. Fill out the form with all the information needed, and we will get back to you shortly. If you have any questions about being a volunteer at Borealis don’t hesitate to contact email@example.com
We’re really excited about our new design and soon you’ll see it plastered across the walls of Bergen. We’ve been working closely with our designer Thomas Bush, and so we asked him to say a few words about it: “The identity for 2017 is stimulated by the multiplicity of spaces, performers, movements, and atmospheres which compose Borealis, and the connections which exist between these things. It is possible that the route it offers is not the most linear or straightforward, but hopefully this gives us the opportunity to make discoveries beyond our expectations. Expression of this comes through what I can only describe as an harmonious cacophany of typeface, colour and line.”
This month we’re also announcing a major new partnership with NEXT, the leading festival of exploratory music in Slovakia – and we’ll be heading to Bratislava at the end of the month to start the development of three projects that will be coming to Borealis in March.
Radical melodies, spontaneous improvisation – the NEXT festival in Bratislava has long been an exciting showcase for the kinds of music that Borealis celebrates, so we’re thrilled to be part of the Fresh Air project, bringing together Norwegian and Slovakian audiences and artists for performances that will feature at both festivals: Drums – a new commissioned piece that explores the limits of the drum kit, bringing together 4 diverse voices in international drumming, and four drum kits; Threnoscope – a spatialised microtonal drone instrument, developed by composer and live-coder Thor Magnusson, which he uses in improvised performance; and Slovakian field recordist and sound enthusiast Jonáš Gruska will be bringing his inventive instruments to Bergen for a special site-specific installation and workshop. Click on the link to learn more about each event.
Borealis is a festival for experimental music that lasts for 5 days each March in Bergen, Norway. We are a small team that grows bigger as the festival approaches and we are now looking for interns who want to gain experience in all aspects of putting on a festival!
We are looking for an intern that can assist our head of communication in the making of the program book and how we present the festival to press and audiences. You must be organized and able to work in both Norwegian and English. We’re looking for someone that can start as soon as possible.
We are also looking for an intern to assist our producer and who will get a deep insight in festival production. Here we’re looking for someone that can start in December or early January.
As an intern you commit to 15 hours a week, although we can be flexible for the right people. You will be working alongside our core team, but you will also be asked to run and develop projects on your own, and you’ll gain valuable experience in all aspects of making a festival and cultural work in general. We offer a small stipend to each intern, but can’t contribute to accommodation or travel costs.
We are seeking people who are interested in new and experimental music in all its forms, and have a passion for communicating this music to a wider audience. We want people who will take good care of both our artists and our audience. There’s always lots to do at a festival, and you´ll get experience working on things like: press, communications and social media; working on a production from the first idea, through its development to its performance (and the de-rig!); and you will meet artists, musicians and composers, and work with logistics and planning. The most important thing is that you want to be part of a team that shapes a fantastic festival in March 2017.
For questions contact Managing Director Tine Rude, and to apply send a short email outlining your skills, musical interests and why you want to be part of the Borealis team to firstname.lastname@example.org // 95 90 53 76.
In August Borealis once again took part in the one-night festival “Poekhali!
Landmark takes off!” at Bergen Kunsthall, bringing composer, cellist and electronic artist Oliver Coates from the UK to play.
Pauline Oliveros is our first guest in this seasons Borealis Listening Club, returning Tuesday 30. August. For a special collaboration with Bergen Assembly and the project WITHIN, we’re heading back to our old haunt of Sentralbadet.
Artistic Director for Bergen Assembly, Tarek Atoui is inviting the Borealis Listening Club in to the unique listening space he has created in the old swimming pool, and together we will be hosting a very special Borealis Listening Club with the electronic music pioneer and pioneer of Deep Listening Pauline Oliveros.
Join us from 8pm, we’ll have the usual popcorn ready, and the bar will be open. Don’t miss the opportunity to hear a living musical legend discuss how we can listen in whole new ways. And entrance is free!
The following last Tuesday in each months Borealis Listening Club returns to our usual residence at Hordaland Kunstsenter. We’ll use these events to look forward to the festival and reveal some of the highlights. And remember – there’s always some good offers for concerts and other events for BLC members.
Peter and Tine both joined Borealis in 2014, and have completed two very successful festivals. Peter Meanwell has accepted a new term as artistic director until 2020. And Managing Director Tine Rude has also accepted a new contract, now as a permanent position.
– “The festival has developed strong artistic projects and international cooperation, and they have had a steady hand on the operation of the organisation. The Board is satisfied with the work and is delighted that both Peter and Tine have agreed to continue in their efforts.” says chairman of the board Tone Tjemsland.
– ”I’m delighted to have another three years to continue to develop exciting, genre-crossing projects, and to work with the expanding audience of adventurous listeners in Bergen, and beyond. Borealis has a growing international reputation as a place to hear forward-thinking new work from Norway and to meet ground-breaking artists from around the world. I’m very proud of what Tine and I, alongside the festival team, have achieved so far, and excited about what we can do together in the next three years”, says British born director Peter Meanwell.
Borealis continues to gain international recognition and has over the past two years initiated several major collaborative projects and acquired financial support from international partners. The festival’s focus on experimental music and related art forms has found an interested and curious audience. The festival’s presence in Bergen is stronger, among others through the new monthly concept Borealis Listening Club.
– “Activity and visibility throughout the year has been positive. We are a small organisation, meaning we can turn around very quickly and test new ideas when they occur. I look forward to continue to surprise and at the same time create good conditions for the festival to grow” says Tine Rude.
Borealis is looking for the right producer who can help us plan a fantastic festival in March.
Duties will be varied and challenging, and requires a high degree of independence, accuracy, initiative and ability to cooperate. You must have interest and appreciation for the music and art we present and have experience in production, often at alternative venues or art forms. You must have good written and oral communication skills in English and Norwegian.
The tasks will go from dialogue with artists, performers, partners and suppliers of technology and equipment, setup of test and schedules, logistics and supervision of projects, working closely with festival teams and venues, and organizing events.
The producer is working directly under the Managing Director, working languages are English and Norwegian.
Irregular working hours may be expected. The work will initiate with training and introduction to projects during September, with the escalation of commitment towards December and the festival in March. Wages, working hours and job percentage agreed with the right person.
Deadline Friday 15 July at. 12:00. Applications with CV to email@example.com.
For more information, contact Managing Director Tine Rude on the above e-mail or phone 95 90 53 76.
Borealis is a festival for experimental music that takes place in Bergen 5 days in March each year. Introducing new musical experiments from Bergen, Norway and the rest of the world on many of its small and large concert halls, art galleries, cultural venues and other weird places you might not have been before. Borealis includes concerts, installations, performances, lectures and films. We are a small team throughout the year, but grow into a festival staff of about 15 people and 80 volunteers up to march. Borealis has offices at Hordaland Kunstsenter.
As part of our 2016 programme, artists such as Object Collection, Natacha Diels and Jessie Marino are presenting works that involve a new use of the body in contemporary composition. We asked Irish composer and artist Jennifer Walshe, whose own works embrace this composed physicality, to write a text reflecting on this way of writing music for our programme book, and what she came back with is a manifesto for a new school of composition, that she calls The New Discipline.
In her text she situates these disparate works as the product of a post-MTV, post-internet generation of composition, but also as one that isn’t entirely dismissive of its deeper roots,
“The New Discipline thrives on the inheritance of Dada, Fluxus, Situationism etc but doesn’t allow itself to be written off merely as Dada, Fluxus, Situationism etc. It’s a music being written when Dada, Fluxus, Situationism etc have aged well and are universally respected. It takes these styles for granted, both lovingly and cheekily, in the same way it takes harmony and the electric guitar for granted. As starting points. As places to begin working.”
This is not a purely theoretical manifesto, but one borne from composers getting their hands dirty, as this new music doesn´t come with the same kind of resources as the dance, theatre, film worlds it draws on. At Borealis this year there will be lots of composers who are also performing their own work,
“And always, always, working against the clock, because the disciplines which are drawn from have the luxury of development and rehearsal periods far longer than those commonly found in new music. Then again, the New Discipline relishes the absence of that luxury, of the opportunity to move fast and break things. In this way, it is a practice more than anything else. And the concomitant: the New Discipline is located in the fact of composers being interested and willing to perform, to get their hands dirty, to do it themselves, do it immediately.”
Taking over the city of Bergen in Norway for 5 days, we´ll be presenting 35 events across 12 venues – a diverse celebration of adventurous music and those who make it, with everything from quiet listening to wild dancing.
The Borealis Listening Club was born yesterday evening! The club meet was a huge success with so many people actively participating. We ate popcorn whilst listening to experimental sound worlds, shared some music and ideas, and so many were unafraid of voicing opinions about the music we experienced.
Club members were also able to get free tickets for upcoming new music concerts in Bergen. This will be the first of many special offers for our club members!
So, if you want to join the club watch for updates on our mailing list and facebook group where we will post some of the music we experienced last night as well as details about our next listening club on the 8th of December! If you have any questions/ suggestions for music we can listen to, you can contact the club directly firstname.lastname@example.org
We would like to invite you to our new and exciting Borealis Listening Club! Together we´ll explore experimental sound-worlds new and old, through listening together, watching short films and performing experimental pieces. Every month at Hordaland Kunstsenter there´ll be our trademark Borealis popcorn, and listening club is open for everybody from the first time listener to the seasoned musicologist from the smallest to the oldest and wisest.
Every second Tuesday of the month, from November to February 2016, we’ll be here at the Hordaland Kunstsenter cafe, to share thoughts and experience in making, working and listening to music.
Borealis is a festival for experimental music that lasts for 5 days each March in Bergen, Norway. We are a small team that grows bigger as the festival approaches and we are now looking for interns who want to gain experience in all aspects of putting on a festival!
We are looking for people to start before Christmas and be able to commit to around 15 hours a week, although we can be flexible for the right people. You will be working alongside the Artistic Director and Managing Director of the festival, but you will also be asked to run and develop projects on your own, and you’ll gain valuable experience in all aspects of making a festival and cultural work in general. We offer a small stipend to each intern, but can’t contribute to accommodation or travel costs.
We are seeking people who are interested in new and experimental music in all its forms, and have a passion for communicating this music to a wider audience. We want people who will take good care of both our artists and our audience. There´s always lots to do at a festival, and you´ll get experience working on things like: press, communications and social media; working on a production from the first idea, through its development to its performance (and the de-rig!); and you will meet artists, musicians and composers, and work with logistics and planning. The most important thing is that you want to be part of a team that shapes a fantastic festival in March 2016.
For questions contact Managing Director Tine Rude, and to apply send a short email outlining your skills, musical interests and why you want to be part of the Borealis team to email@example.com // 95 90 53 76.
Thank you to everyone who came and made a very “koselig” event last Saturday. We had a great talk with the composer Sigurd Fischer Olsen and Sofia Jernberg about the piece he is writing for her and BIT20 Ensemble that will have its World Premiere at Borealis 2016.
Short after, Sofia did an amazing improvised performance with the percussionist Ingar Zach.
Here you can listen again to the conversation and also check out some of the pictures of the amazing night we had!
How does a new work come in to being? What does the composer actually do between getting a commission and us hearing the piece? Do the musicians even get a say in what happens? Fresh out of a workshop with BIT20 Ensemble, Norwegian composer Sigurd Fischer Olsen will be in conversation with vocalist Sofia Jernberg about a new piece they will premiere at Borealis in March 2016. They´ll be talking about the piece´s conception, from development to realisation, and the ups and downs on route to the concert hall.
We couldn’t miss the opportunity to have the amazing vocal talent of Sofia Jernberg in Bergen and not hear her voice. Equally happy on the opera stage, with free jazz players, or writing her own music, Sofia´s voice is a uniquely versatile instrument. Tonight she´ll be performing a first time collaboration with another multi-talented player, Norwegian percussionist Ingar Zach, whose dynamic solo sets and work with bands Dans les arbres, Huntsville and Mural (amongst others), brings new meaning to a simple percussion set up.
Presented in collaboration with BIT20 Ensemble
Doors – and the bar, opens at 19.30.
The conversation starts at 20.00 in the café and the concert takes place in the gallery.
Borealis has been welcomed in to the HKS family. Find us upstairs at the Hordaland Kunstsenter, Monday and Tuesday give us a call, Wednesday to Friday the gallery and cafe are open to the public so just come up and say hello! We´re busy planning Borealis 2016, it´s going to be great!
What an amazing evening! Thanks to all of you who took part in Borealis’ event for Landmarks opening of the season.
After a performance by Stine Janvin Motland, some of the audience even got to try the amazing machine for themselves.
All photos Magnus Håland Sunde.
And here you can hear an interview with Stine about the project:
There is always sound. It is constantly around us. Some of those sounds grab our attention more than others. Borealis Festival is all about different sounds and the roles they (can) play.
We live in a time where we focus more and more on vision, both in and out of home. We watch all our screens, optimise our interior and dance with fashion. We orient by the mountains, look where we walk for safety or aesthetics. Those all are beautiful things. But what happens when you stop for a second and treat your ears, is pretty amazing.
Every place on earth has specific sounds that are always there. They give character to the city.
Here are ten sounds which we think give character to Bergen! We have two festival passes to give away to whoever is most accurate!
Get inside the heads of idiosyncratic duo part wild horses mane on both sides, as they develop a new work for Borealis on residency at Bergen Kunsthall. From rocks to broken reverb boxes, their installation performances teeter on the edge of falling apart, embracing the fragile energy of stepping in to the unknown. Landmark, 13th of march 2015
Lucy Railton and Russell Haswell present their latest collaboration that exploits the languages of contemporary instrumental music and hybrid analogue/digital synthesis. For this new commission developed on residency in the Barents region, Borealis and Landmark are excited to join forces with Dark Ecology (2014-2017), a project highlighting the border zone between Northern Norway and Russia around the Arctic Circle, organised by Sonic Acts and Hilde Methi.
Borealis caught up with them during their residency to find out what they have been up to. 14. mars, 22:30, Landmark
Writer and curator Daniela Cascella talks to Borealis artistic director Peter Meanwell about sound writing strategies, Italian murder stories and her project Writing Sound 2, which opened at www.lydgalleriet.no on 20th November 2014.