BLC live! with Ensemble Obsidian

11 November
Østre
Doors open: 19:30
Concert starts: 20:00

Borealis wants music to be accessible to everyone, regardless of their finances – pay what you can for the concert, and support us if you’re able to!
Pay what you can: 0/50/100 NOK
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Tickets will also be available at the door.

Our much-loved Borealis Listening Club is back! This time in new clothes, as a concert at Østre, featuring Ensemble Obsidian!
Join us on 11 November to hear works by three composers who took part in BUK 2024/25: Eira Sjaastad Huse, Daiyen Jone Castro and Jakob Thonander Glans.
Over the course of a year, and with guidance from mentors Okkyung Lee, Camille Norment and Sigurd Fischer Olsen, the composers developed new works in collaboration with Ensemble Obsidian, an inimitable trio of voice, flute and cello. The works were originally presented at Borealis 2025, and now return in a new setting.
The three works we’ll hear explore texture, sound and storytelling, each in their own way.
In Eira Sjaastad Huse’s Salmon Songs, the journey of the salmon provides a starting point for a virtuosic vocal work. Instinct, migration and the call of the salmon are woven into music that moves between storytelling and pure sound.
Daiyen Jone Castro’s Studies of Believe Memories draws on reminiscences from a Cuban childhood. Here, memory is experienced as scenes we return to and work through, filtered through Castro’s characteristic interest in timbre, texture and sonic effect, and in setting silence against rhythm and contrast against continuity.
Jakob Thonander Glans’ emo katarsis brings his background as a guitarist in the hardcore band RONÖM into his compositional work. The work follows Glans’ self-proclaimed “brutalist” aesthetic: music that is bold, simple, heavy and deliberately “cheap”. Built around extreme dynamic contrasts and fast tempos, emo katarsis aims for an immediate, physical release rather than a contemplative experience.
Come listen with us, and experience three very different approaches to making music – brought together in one concert.

ABOUT THE ARTISTS

Eira Sjaastad Huse

Foto: Thor Brødreskift

Eira Sjaastad Huse is an opera singer and composer based in Oslo. She holds a master’s degree in classical singing from the Norwegian Academy of Music and Barratt Due, as well as a diploma in composition and orchestration from the Norwegian Academy of Music, where her mentors included Rolf Wallin and Rune Rebne. Her music moves between the consonant and the expressionistic, the old and the new.

Daiyen Jone Castro

Foto: Thor Brødreskift

Daiyen Jone Castro is a Cuban-born flutist, composer and educator based in Bergen. Trained as a classical flutist in Havana, she moved to Norway in 2015 and completed studies in jazz, composition and music education at the Grieg Academy, University of Bergen, in 2023. Her work draws on Cuban music and Latin American jazz alongside free improvisation and electronics, and she is active in ensembles including NH3, Heavy Astro and Reflejos Band.

Jakob Thonander Glans

Foto: Thor Brødreskift

Jakob Thonander Glans is a composer and guitarist based between Oslo, Gothenburg and Warsaw, active as a guitarist in the hardcore punk band RONÖM. He studied at the Academy of Music and Drama at the University of Gothenburg, graduating in 2021, and was an Erasmus exchange student at the Fryderyk Chopin University in Warsaw. He describes his own style as “brutalist” — bold, simple, heavy and deliberately “cheap”, built on extreme dynamic contrasts and fast tempos. He received the composition prize in the Midgard Competition in 2023.

Foto: Thor Brødreskift

Ensemble Obsidian

Zsuzsa Zseni (voice) is a Hungarian mezzo-soprano based in Bergen, moving as naturally between notated music, improvisation and electronics. She has recently performed at the Reykjavík Arts Festival, Bergen Church Music Festival and Bergen International Festival.

Berit Hella Lindberg (flute) studied at the Norwegian Academy of Music and the Sibelius Academy, and is known for her rich range of extended techniques, including multiphonics, “whistle tones”, flute beatboxing and circular breathing. She has premiered numerous new works and performed at Den Nationale Scene.

Matias Monsen (cello) is active in contemporary music, prog metal and popular music, with studio and stage experience with artists such as Aurora, Sigrid, deLillos and Kaizers Orchestra. He is also a member of Drott.

Borealis Receives the Classical:NEXT Innovation Award

Award recipients (from left): Borealis, SOAVE (Stage Orchestra Audio Video Experience), and Playing with Fire: An Immersive Odyssey, together with representatives from Classical:NEXT. Photo: Christoph Mangler, taken at Classical:NEXT 2026.

Borealis shortlisted for the Innovation Award 2026 Classical:NEXT

Borealis Listening Club is back in 2026!

Book now!

You can now book your sauna experiences during Borealis at laugaren.no!

During Borealis, Finnish sauna owner, architect and musician Tuomas Toivonen takes residence at Bergen’s unique floating sauna  Laugaren. Transforming the sauna itself into an ambient sonic instrument he creates a dynamic sonic layer that emanates from the sauna building itself.

Sonic Sauna can be experienced at all times the sauna is open during the festival. In addition, there are some extra unique sessions with Tuomas on the programme.

Full Programme out now!

Borealis returns to Bergen, Norway 13–17 March with five full days of concerts and sound installations, family events and conversations, exploring exciting new musical expressions from across Norway, Sápmi and the world! For the 21st edition of Borealis, the festival dedicates half of its programming to exploring the interaction of Sámi history, identity and erasure with experimental sound, music and listening practices. Led by Sámi artist and musician and Borealis Artist in Residence 2022–2024 Elina Waage Mikalsen, our 2024 festival will present a diverse range of Sámi artists who work experimentally with sound and music.

Borealis Listening Club X Laugaren

Welcome to a truly unique edition of the Borealis Listening Club at Laugaren! We usually gather at Studio 207, but in November, we are combining listening with a sauna experience at Laugaren – Bergen’s new floating cultural arena and meeting place! Please bring your swimwear and bathrobe and join us in the warmth on this Wednesday evening – we’ll provide refreshments. The listening will take place in a spacious room with seating for about 20 people on stools and benches, and it will be combined with sessions inside the sauna itself, right next door. Heat, the sea, music, and beautiful surroundings create the perfect setting for a Borealis Listening Club that’s a bit out of the ordinary.

The club is usually free, but this time, you’ll need to purchase a ticket. The proceeds will exclusively support the running of Laugaren. There are very limited spots, so be quick!

Wednesday 29 November, 19.00–20.30 in Laugaren (the sauna is docked by USF Hallen)

Podcast on ‘Hungry Listening’

In episode 26 of Darmstadt’s podcast ON AIR, Peter Meanwell interviews artist, curator, and author Dylan Robinson about his book Hungry Listening: Resonant Theory for Indigenous Sound Studies. The book is a sharp critique of colonial assimilation practices in the classical music world and has been a key text for Meanwell and Borealis in their collaboration with Elina Waage Mikalsen.

Join our festival team!

Several payed part-time positions are now opening up in Borealis! We have a team of six people working throughout the year, but as the festival approaches, we need more hands and energy to contribute to the realisation of the festival in March. We’re looking for a Volunteer Coordinator, Transport & Logistics Coordinator, Ticket Coordinator and Event Managers. Would you like to be part of our team?

Application deadline: Friday 20 October